图片文件尺寸 : 3418 x 2343px
《困惑的灵魂》作者：Kate Light-Kate Light
Puzzled Spirits--Kate Light
2.
丹尼斯·希恩 Last Light 24 x 36英寸。未加框架的 高清作品[96%]
图片文件尺寸 : 4894 x 5505px
Dennis Sheehan:Last Light
signed \'sheehan\' (lower right)
oil on canvas
24 x 36 in. (61.0 x 91.5 cm)
unframed
丹尼斯·希恩 Last Light 24 x 36英寸。未加框架的
3.
安东尼奥·卡尔德拉 灯光空间（Light Space） 高清作品[96%]
4.
安东尼奥·卡尔德拉 灯光空间（Light Space） 高清作品[96%]
5.
减震器（gr.light），1910年。-埃米尔·诺德 高清作品[93%]
材质 : Etching
图片文件尺寸 : 4859 x 3695 px
Emil Nolde-Dampfer (gr. hell), 1910.
埃米尔·诺德-减震器（gr.light），1910年。
6.
奇奇·史密斯 灯光轨迹（Light Trail） 高清作品[93%]
图片文件尺寸 : 5409 x 4562px
Kiki Smith:
Light Trail (12 works), 2012
The complete portfolio comprising 12 polymer intaglio plates in colors, with chine colle, gold leaf and screenprint on handmade paper, each initialed in white pencil and lettered on verso, numbered 9/11 (there were also 3 printer\'s proofs), with poem by John Coletti, with colophon signed in pencil by artist and poet, published/printed by the Brodsky Center for Innovative Editions, New Brunswick, New Jersey, the full sheets, contained in original grey linen portfolio folder. (12 works)
each sheet 11 x 8 1/2in (27.9 x 21.5cm )
奇奇·史密斯 灯光轨迹（Light Trail）
7.
亨德里克·维特温克尔（Hendrik Vettewinkel）的《河上的船与灯塔》（Boats on a River with a Beacon of Light） 高清作品[93%]
图片文件尺寸 : 3626 x 2828px
亨德里克·维特温克尔（Hendrik Vettewinkel）的《河上的船与灯塔》（Boats on a River with a Beacon of Light）-Hendrik Vettewinkel
Boats on a River with a Beacon of Light--Hendrik Vettewinkel (荷兰, 1809-1878)
下载亨德里克·维特温克尔（Hendrik Vettewinkel）的《河上的船与灯塔》（Boats on a River with a Beacon of Light）大图
8.
爱德温·奥斯汀修道院为《光之灵》（The Spirit of Light，Rotunda，宾夕法尼亚州议会大厦，哈里斯堡）进行的人物研究 高清作品[92%]
图片文件尺寸 : 861 x 3000px
爱德温·奥斯汀修道院为《光之灵》（The Spirit of Light，Rotunda，宾夕法尼亚州议会大厦，哈里斯堡）进行的人物研究-Edwin Austin Abbey
Figure Study, for The Spirit of Light, Rotunda, Pennsylvania State Capitol, Harrisburg--Edwin Austin Abbey (美国, 1852 - 1911)
下载爱德温·奥斯汀修道院为《光之灵》（The Spirit of Light，Rotunda，宾夕法尼亚州议会大厦，哈里斯堡）进行的人物研究大图
9.
查尔斯·布鲁金（Charles Brooking）的《轻空气中的行李和零食》（A Lugger and A Smack in Light Airs） 高清作品[91%]
图片文件尺寸 : 5233 x 3640px
查尔斯·布鲁金（Charles Brooking）的《轻空气中的行李和零食》（A Lugger and A Smack in Light Airs）-Charles Brooking
轻空气中的行李和零食--Charles Brooking (英国, c.1723–1759)
下载查尔斯·布鲁金（Charles Brooking）的《轻空气中的行李和零食》（A Lugger and A Smack in Light Airs）大图
10.
查尔斯·布鲁金（Charles Brooking）的《微风中的河中风帆下的一击》（A Smack Under Sail in A Light Breeze in A River） 高清作品[89%]
图片文件尺寸 : 5757 x 3461px
查尔斯·布鲁金（Charles Brooking）的《微风中的河中风帆下的一击》（A Smack Under Sail in A Light Breeze in A River）-Charles Brooking
河流中微风中帆下的一次撞击--Charles Brooking (英国, c.1723–1759)
下载查尔斯·布鲁金（Charles Brooking）的《微风中的河中风帆下的一击》（A Smack Under Sail in A Light Breeze in A River）大图
11.
安东·斯拉维切克（Antonín Slavíček）的《夏日阳光下的追随者牧场风景》（Follower Pasture Landscape In The Summer Light） 高清作品[88%]
图片文件尺寸 : 3990 x 3093px
安东·斯拉维切克（Antonín Slavíček）的《夏日阳光下的追随者牧场景观》（Follower Pasture Landscape In The Summer Light）-Antonín Slavíček
夏日阳光下的追随者牧场景观--Antonín Slavíček (Czech, 1870 - 1910)
下载安东·斯拉维切克（Antonín Slavíček）的《夏日阳光下的追随者牧场风景》（Follower Pasture Landscape In The Summer Light）大图
12.
威尔·R·巴恩斯（Will R.Barnes）的《身穿白色和浅蓝色花上衣的男人》 高清作品[81%]
图片文件尺寸 : 2923 x 4722px
威尔·R·巴恩斯（Will R.Barnes）的《身穿白色和浅蓝色花上衣的男人》-Will R. Barnes
Man in white and light blue floral justacorps and breeches with light blue waistcoat--Will R. Barnes (美国, ?-1939)
13.
Heinz Mack，当代艺术I 高清作品[80%]
图片文件像素：4698 x 4418 px
Heinz Mack，当代艺术I-
Heinz Mack * - Zeitgenössische Kunst I-
(born in Lollar, Hessen 1931)
Wing relief, 1989, signed, dated Mack 89, on the reverse again signed, dated, inscribed and with directional arrow, relief of aluminum grid, board and mirror, 81.5 x 101.5 cm, framed
Certificate:
Atelier Mack, Mönchengladbach, signed by the artist
Provenance:
Private Collection, Rhineland Palatinate
Private Collection, North Rhine-Westphalia - acquired from the above in 2006
Private Collection, Venice
Ketterer Kunst, Munich, 5 December 2006, lot 335
Literature:
Exhibition catalogue Galerie Ludorff, Düsseldorf 2020, p. 88
The Zero artist Heinz Mack discovered the effect of light on a piece of aluminium foil by accident. When he stepped on a piece of the foil lying on the floor, he created a carpet of light, a light reflector with the embossed pattern of his sisal carpet. This showed him how the light from the aluminium foil refracts and at the same time reflects the embossed pattern of the carpet. From then on, the effect of light in his works played a decisive role for Heinz Mack in the conception of his art. The character of the reliefs is that they capture the light and at the same time return it to the room.
The work offered here is from the series of so-called ‘wing reliefs’ (Flügelreliefs). Here Mack - unlike in his painting - does not experiment with colour, but with material and form, with the reflection and location of the viewer in the work. Mack uses a fine-meshed flexible expanded metal aluminium fabric for his wing reliefs, originally created for the aerospace industry. Its technical materiality allow the metal mesh to be given soft contours and to form varied patterns from the individual honeycombs. The artistic intention of making light, structure and movement visible is accentuated in a special way in the wing reliefs by the fine structure of the honeycomb fabric.
The structure of the relief allows the viewer to experience the refraction of light from different angles anew each time. The light refracts in the depths of the honeycombs and captivates the viewer.
14.
琳达·威尔 雪，浅鸢尾 高清作品[78%]
图片文件尺寸 : 4751 x 4840px
Linda Weir:
Snow, Light Irises
signed and dated \'L Weir \'84\' (lower right); further signed, titled and dated \'Snow, Light Irises,/January 84./Linda Weir\' (on canvas verso)
oil on canvas
105.5 x 91.5cm (41 9/16 x 36in).
(unframed)
琳达·威尔 雪，浅鸢尾
15.
卡拉·阿卡尔迪，当代艺术I 高清作品[76%]
图片文件像素：5224 x 4132 px
卡拉·阿卡尔迪，当代艺术I-
Carla Accardi * - Zeitgenössische Kunst I-
(Trapani 1924–2014 Rome)
Bluviola, 1972, signed; signed and dated on the reverse, casein on canvas, 60 x 68 cm, framed
This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome
Provenance:
Sale, Finarte, 28 March 1995, lot 105
Galleria Russo, Rome (stamp on the reverse)
European Private Collection
Literature:
G. Celant, Carla Accardi, Charta, Milan 1999, p. 339, no. 1972 22 with ill.
More than colors I have always loved the way they match, as well as the light they give off. Even my white-black phase was a period of light, this contrast, just like in my mother’s saltworks in Trapani, a truly blinding sort of light.
When I used red with green, and sometimes even pink with light blue, the two colors had to have the same strength and couldn’t be complementary.
This way they struggle against one other and create light.
Carla Accardi in A.M Boetti, Lo specchio ardente, in Data, Milan no. 18, 1975
相关：